Scratch, cut, squeeze, press, pull.

The form is still.

What was once fluid is now fixed.

The inanimate shapes are prestigious, representative of past acts of experimentation, investigation and discovery.

Unidentifiable in their peculiarities, they merely denote their own process of creation.

They stand for nothing else but themselves.

They are objects of desire.

Tempted by temptation’s traces.

Fetischized and made to be sacred.